LE SON AU COEUR DU GAMEPLAY | Video Games LAB #5

Comment lier le son au gameplay ? Sound Design et Game Design au coeur de cette nouvelle vidéo !
► Tous les Video Games Lab : https://www.youtube.com/watch?v=U5x9Q28KV84&list=PL5TpqriUr5MZe0FM2Bj3MfQqBOG__gIKP&index=1

Depuis plus de trente ans, la création de jeu tente de nombreuses expériences autour du son. Parfois support de gameplay, parfois représentation audio d'un niveau, il est capable de beaucoup de choses et je voulais vous en faire un petit bilan dans ce nouveau Video Games Lab. Sans entrer dans tous les détails, vous verrez ce qu'il est possible de faire quand on se décide à faire du son un outil de game design !

Sommaire :

0:00 Introduction
1:57 Le son au Cœur du Gameplay
3:34 Les jeux musicaux
5:50 Du coté des indés
8:24 Influence indirecte via le level design
10:30 Conclusion

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Jeux cités, dans l'ordre d'apparition :

Super Metroid, Metroid, Thumper, Just Shapes & Beats, Unbeatable, Osu, Sayonara Wild Hearts, Soundodger, Spin Rhythm XD, Parappa the Rapper, Vib Ribbon, Persona 5 Dancing in Starlight, Rhythm Doctor, Rhythm Paradise, Musync, Pop'n Music Wii, Hatsune Miku Project Diva Megamix, Oendan, Kingdom Hearts Melody of Memory, Voez, Sound Voltex, Taiko no Tatsujin, Dance dance revolution, Guitar Hero 3, Maimai, Beat Saber, Chunithm, Bit Trip Runner 2, Ape Out, Patapon, Crypt of the Necrodancer, BPM Bullet Per Minute, Sound Shapes, 140, Everhood, The last of us Part 2, Metal Gear Solid V, Nier Replicant, Vectronom, Drakengard 3, Genesis Noir, Rez Infinite, Tetris Effect, Child of Eden, Silent Hill (Fan project).

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BetaSeries' opinion

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Read the full article

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