Soon there will be more voice-activated digital assistants than people. All are female-gendered. Roger needs company, and he doesn’t want a dog. When his daughter Erin buys him the latest Isla digital assistant, an unexpected relationship between man and technology emerges. But who's really in control?
This thought-provoking, and at times troubling, dark comedy written by playwright Tim Price, has been adapted for television following its world premiere at Theatr Clwyd in North Wales. It was helmed by the theatre’s artistic director Tamara Harvey and stars Mark Lambert as retired teacher Roger, who is struggling with lockdown following the death of his wife.
Lisa Zahra plays his concerned-but-busy daughter, who thinks a smart speaker is the perfect home help for her lonely dad, but never imagined it would lead to a visit from the police as well as surprising and sometimes upsetting revelations from his past.
Expect laughs, technology-induced frustration and some strong language.
If you are a fan of thought-provoking narratives and high-quality dramatic performances, then Screen Two, a seminal British television anthology series, deserves a spot on your watchlist. Airing from 1985 to 1998 on BBC2, this series brought forth an array of standalone dramas that captured the essence of human experiences through its innovative storytelling. As a spiritual successor to the beloved Play for Today, Screen Two marked a significant shift in how stories were told on British television. Each episode is crafted as a cinematic gem, filmed entirely on location rather than confined to studio sets, allowing viewers to immerse themselves fully in each narrative.
One of the standout features of Screen Two is its commitment to quality over quantity. With 15 seasons comprising 168 episodes, each installment offers a distinct tale that reflects varied aspects of life in Britain during its time. The first episode sets the tone for what’s to come: depicting a gritty encounter between British soldiers and civilians at the Northern Irish border—an intense opening that resonates with historical context and social commentary. This approach not only engages viewers but also encourages them to reflect upon societal issues through the lens of drama.
The anthology format means that you can jump into any episode without needing prior context about previous installments. This accessibility makes Screen Two perfect for binge-watching or casual viewing alike; whether you have an hour or an evening free, there’s something here for everyone. Fans of other acclaimed shows like BBC Drama, On the Edge (2018), or even theater-inspired pieces like Great British Theatre will find comfort in familiar themes while discovering new dimensions in storytelling through this series.