- Original release
- Previous episode S24E15 - No More Heroes
- Number S24E16
- Episode runtime 50 minutes
-
Director
Alan Grint
- Country United Kingdom
- Original language English
- Genre Drama
-
External links
TheTVDB page
IMDB page
TheMovieDB page -
Last update
5 octobre 2026 - 09:05
on 11 databases
All I Want for Christmas
Ruth faces a festive family crisis, Lenny considers the prospect of unwanted early Christmas leave and Zoe continues to enjoy a bit too much seasonal "spirit" in this year's festive offering of the medical drama. As the competition for the fellowship continues, May is frustrated by always being regarded the least-promising of the F2s and plays a trick on Lenny which has far-reaching consequences. Acting on May's misinformation, Lenny mistakenly tells two sisters that their father, Barry, has died. He is severely reprimanded by a stressed and furious Adam and it looks as if Lenny's Christmas leave may be lasting a little longer than he would like. Ruth, meanwhile, is looking forward to celebrating Christmas with a long-lost member of her family when she notices an heirloom has gone missing from her flat. As she's plunged into a world of stolen phones, heroin overdoses and male prostitution, Ruth realises that she's likely to face Christmas alone. Will this mean she's ready to accept the support of ex-boyfriend Jay? As matters finally come to a head between Jordan and Adam over Jordan's role in the Emergency Department (ED), Jordan is forced to face the music over his future as a doctor. Meanwhile, Zoe continues to escape the stresses of her life through the bottom of a bottle. Finally, the staff find out who is responsible for the string of disappearances in the ED. Is there a thief at large or could it be a secret Santa working in mysterious ways?
Season 2 of <a href="https://www.betaseries.com/en/show/9-1-1-nashville">9-1-1: Nashville premieres in just 14 days, on October 15, 2026, on Disney+, and the countdown has officially begun for one of the most explosive new branches of the 9-1-1 universe. After a first season that introduced viewers to Tennessee emergency responders caught between life-or-death rescues and the pressures of a powerful local dynasty, the series is heading back into action with bigger personal stakes, deeper family drama and the kind of adrenaline-fueled emergencies that made 9-1-1 and 9-1-1: Lone Star appointment television. If you have not added <a href="https://www.betaseries.com/en/show/9-1-1-nashville">9-1-1: Nashville to your BetaSeries account yet, this is exactly the week to do it.
For lapsed viewers, here is what you need to remember before Season 2 begins: <a href="https://www.betaseries.com/en/show/9-1-1-nashville">9-1-1: Nashville follows dedicated firefighters, paramedics and emergency responders in Tennessee as they navigate dangerous calls, emotional fallout and the complicated influence of the Hart family. At the center of the series is Captain Don Hart, played by Chris O’Donnell, a seasoned leader whose professional calm often clashes with the storm surrounding his personal life. The show’s first 18 episodes established Nashville not just as a backdrop, but as a pressure cooker: music, money, legacy and public image all collide with the everyday heroism of people racing toward disaster while everyone else runs away.
That blend of emergency-of-the-week spectacle and long-form family tension is what makes <a href="https://www.betaseries.com/en/show/9-1-1-nashville">9-1-1: Nashville stand apart from its sister shows. Like 9-1-1, it knows how to stage a memorable rescue. Like 9-1-1: Lone Star, it understands the emotional pull of a team that becomes a family. But the Nashville setting adds its own flavor: powerful local connections, old reputations, country music energy and a dynastic drama that makes every private argument feel like it could spill into the public square. Season 2 is expected to lean even harder into that identity, balancing firehouse intensity with the kind of Southern melodrama that fits perfectly under the guidance of showrunners Ryan Murphy, Tim Minear and Rashad Raisani.
