Go to https://www.squarespace.com/nerdwriter for 10% off your first purchase.
SUPPORT THE SHOW ON PATREON: https://patreon.com/nerdwriter
MY BOOK: https://amzn.to/3ymfQPV
SOURCES
Sammarcelli, Françoise. “Of Art, Codes, and Transcoding: Revisiting Intersemiotic Conversations in The Age of Innocence by Edith Wharton (1920) and Martin Scorsese (1993).” Edith Wharton Review, vol. 36, no. 2, 2021, pp. 125–47. JSTOR, https://doi.org/10.5325/editwharrevi.36.2.0125
Stern, Lesley. The Scorsese Connection. United Kingdom, Indiana University Press, 1995.
Cahir, Linda Costanza. “The Perils of Politeness in a New Age: Edith Wharton, Martin Scorsese and ‘The Age of Innocence.’” Edith Wharton Review, vol. 10, no. 2, 1993, pp. 12–19. JSTOR, http://www.jstor.org/stable/43512826
Kottaras, Ekaterini. “Metaphors of Deception: Incomplete Speech Acts in Edith Wharton’s ‘The Age of Innocence.’” Edith Wharton Review, vol. 26, no. 1, 2010, pp. 10–17. JSTOR, http://www.jstor.org/stable/43513028
Jessee, Margaret Jay. “Trying It On: Narration and Masking in Edith Wharton’s The Age of Innocence.” Journal of Modern Literature, vol. 36, no. 1, 2012, pp. 37–52. JSTOR, https://doi.org/10.2979/jmodelite.36.1.37
Orlando, Emily J. “Rereading Wharton’s ‘Poor Archer’: A Mr. ‘Might-Have-Been’ in ‘The Age of Innocence.’” American Literary Realism, 1870-1910, vol. 30, no. 2, 1998, pp. 56–76. JSTOR, http://www.jstor.org/stable/27746727
Moseley, Edwin M. “The Age of Innocence: Edith Wharton’s Weak Faust.” College English, vol. 21, no. 3, 1959, pp. 156–60. JSTOR, https://doi.org/10.2307/372840
Langford, Jeffrey. Opera, a History of the Impossible Genre. United Kingdom, Taylor & Francis.
Between Opera and Cinema. United Kingdom, Taylor & Francis, 2012.
Peucker, Brigitte. “Rival Arts? Filming ‘The Age of Innocence.’” Edith Wharton Review, vol. 13, no. 1, 1996, pp. 19–22. JSTOR, http://www.jstor.org/stable/43516056
Vidal, Belén. “Present in the Past: The House.” Figuring the Past: Period Film and the Mannerist Aesthetic, Amsterdam University Press, 2012, pp. 65–110. JSTOR, http://www.jstor.org/stable/j.ctt46mt18.6
Unlock Your Imagination with Hacksmith Industries: A Journey into Engineering and Creativity
In an age where technology is rapidly advancing, it's refreshing to find a show that not only entertains but educates. *Hacksmith Industries*, spearheaded by engineer and creator James Hobson, takes viewers on an exhilarating journey through the world of engineering, turning iconic fictional gadgets from movies, video games, and comics into real-life prototypes. With its unique concept and engaging presentation, this YouTube series captivates audiences while inspiring them to explore careers in STEAM (Science, Technology, Engineering, Arts, Mathematics) fields.
The first season of *Hacksmith Industries* introduces us to the creativity that lies within every innovative thinker. The inaugural episode revisits a nostalgic project from 2005 featuring Jamie and Richard chasing down a villain named Shawn. This throwback sets the stage for what’s to come: an exploration of imagination melded with technical expertise. Each episode builds upon this foundation by showcasing various projects that have garnered international acclaim—such as the world’s first retractable plasma lightsaber that can reach astonishing temperatures!