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The Age Of Innocence: Adaptation Done Right

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SOURCES

Sammarcelli, Françoise. “Of Art, Codes, and Transcoding: Revisiting Intersemiotic Conversations in The Age of Innocence by Edith Wharton (1920) and Martin Scorsese (1993).” Edith Wharton Review, vol. 36, no. 2, 2021, pp. 125–47. JSTOR, https://doi.org/10.5325/editwharrevi.36.2.0125

Stern, Lesley. The Scorsese Connection. United Kingdom, Indiana University Press, 1995.

Cahir, Linda Costanza. “The Perils of Politeness in a New Age: Edith Wharton, Martin Scorsese and ‘The Age of Innocence.’” Edith Wharton Review, vol. 10, no. 2, 1993, pp. 12–19. JSTOR, http://www.jstor.org/stable/43512826

Kottaras, Ekaterini. “Metaphors of Deception: Incomplete Speech Acts in Edith Wharton’s ‘The Age of Innocence.’” Edith Wharton Review, vol. 26, no. 1, 2010, pp. 10–17. JSTOR, http://www.jstor.org/stable/43513028

Jessee, Margaret Jay. “Trying It On: Narration and Masking in Edith Wharton’s The Age of Innocence.” Journal of Modern Literature, vol. 36, no. 1, 2012, pp. 37–52. JSTOR, https://doi.org/10.2979/jmodelite.36.1.37

Orlando, Emily J. “Rereading Wharton’s ‘Poor Archer’: A Mr. ‘Might-Have-Been’ in ‘The Age of Innocence.’” American Literary Realism, 1870-1910, vol. 30, no. 2, 1998, pp. 56–76. JSTOR, http://www.jstor.org/stable/27746727

Moseley, Edwin M. “The Age of Innocence: Edith Wharton’s Weak Faust.” College English, vol. 21, no. 3, 1959, pp. 156–60. JSTOR, https://doi.org/10.2307/372840

Langford, Jeffrey. Opera, a History of the Impossible Genre. United Kingdom, Taylor & Francis.

Between Opera and Cinema. United Kingdom, Taylor & Francis, 2012.

Peucker, Brigitte. “Rival Arts? Filming ‘The Age of Innocence.’” Edith Wharton Review, vol. 13, no. 1, 1996, pp. 19–22. JSTOR, http://www.jstor.org/stable/43516056

Vidal, Belén. “Present in the Past: The House.” Figuring the Past: Period Film and the Mannerist Aesthetic, Amsterdam University Press, 2012, pp. 65–110. JSTOR, http://www.jstor.org/stable/j.ctt46mt18.6

BetaSeries' opinion
Unlock Your Imagination with Hacksmith Industries: A Journey into Engineering and Creativity

Unlock Your Imagination with Hacksmith Industries: A Journey into Engineering and Creativity

In an age where technology is rapidly advancing, it's refreshing to find a show that not only entertains but educates. *Hacksmith Industries*, spearheaded by engineer and creator James Hobson, takes viewers on an exhilarating journey through the world of engineering, turning iconic fictional gadgets from movies, video games, and comics into real-life prototypes. With its unique concept and engaging presentation, this YouTube series captivates audiences while inspiring them to explore careers in STEAM (Science, Technology, Engineering, Arts, Mathematics) fields.

The first season of *Hacksmith Industries* introduces us to the creativity that lies within every innovative thinker. The inaugural episode revisits a nostalgic project from 2005 featuring Jamie and Richard chasing down a villain named Shawn. This throwback sets the stage for what’s to come: an exploration of imagination melded with technical expertise. Each episode builds upon this foundation by showcasing various projects that have garnered international acclaim—such as the world’s first retractable plasma lightsaber that can reach astonishing temperatures!

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