- Original release
- Previous episode S04E05 - Fehlrechnung
- Number S04E06
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Director
Norbert Büchner
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Writer
Norbert Büchner
- Country XG
- Original language German
- Genres Crime, Drama, Mystery, Thriller
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External links
TheTVDB page
IMDB page
TheMovieDB page -
Last update
22 février 2026 - 06:23
on 11 databases
Kein Paradies für Elstern
In einem Centrum-Warenhaus wurde ein Wächter niedergeschlagen und eine Schmuckvitrine leergeräumt. Der Schaden beläuft sich auf ca. 80.000,- Mark. Mehrere Betriebsangehörige müssen von den Kriminalisten in den Kreis der Verdächtigen einbezogen werden. Die Indizien besagen ziemlich eindeutig, dass der Täter mit den Örtlichkeiten des Hauses bestens vertraut gewesen sein muss. Außerdem muss er auch von der Nachlässigkeit jener Kollegin gewusst haben, die zum wiederholten Male versäumt hatte, die Wertgegenstände entgegen der Vorschrift im Tresor zu verschließen. Hauptverdächtig erscheint der Kollege Fritsche, jener Wächter, der seinen niedergeschlagenen und narkotisierten Kollegen Max Dinge gefunden hatte.
If there’s one show that has stood the test of time in the world of crime dramas, it’s undoubtedly Tatort. First airing on November 29, 1970, this German-language police procedural television series has become a staple in households across Germany, Austria, and Switzerland. Broadcasted on major channels like ARD, ORF 2, and SF1, Tatort has produced over 1200 episodes across its remarkable 55 seasons. Each episode is distinctively crafted by various regional broadcasters, showcasing unique settings and local customs while maintaining a thread of gripping crime-solving narratives.
One of the most compelling aspects of Tatort is its commitment to character depth and development. The format allows for feature-length episodes averaging around 90 minutes each—far longer than typical weekly dramas—which affords viewers an immersive experience into the lives of its protagonists. From iconic inspectors like Schimanski to contemporary favorites navigating complex cases in bustling cities or quiet towns, viewers get a multi-dimensional view of not just the crimes but the cultures surrounding them. This emphasis on character makes it easy for audiences to connect with their stories and invest emotionally in their fates.
The collaborative production model behind Tatort is another reason for its phenomenal longevity and success. Each participating regional TV station contributes uniquely styled episodes featuring different teams of inspectors solving crimes in their own cities—from scenic Vienna to vibrant Berlin—showcasing local architecture and dialects as integral parts of the plotline. This approach not only enriches each episode but also fosters a sense of community among viewers who may recognize their own locales being portrayed onscreen.
