- Original release
- Previous episode S27E08 - Rot ist eine schöne Farbe
- Number S27E09
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Director
Marco Serafini
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Writers
Michael Illner
Scarlett Kleint
- Country XG
- Original language German
- Genres Crime, Drama, Mystery, Thriller
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External links
TheTVDB page
IMDB page
TheMovieDB page -
Last update
26 janvier 2026 - 06:21
on 11 databases
Discokiller
Ein rätselhafter Fall führt die beiden Kommissare Schmücke und Schneider in die Hallenser Diskothekenszene. Auf die 17-jährige Kim Kober wurde beim Besuch einer Diskothek geschossen. Die Polizei findet bei ihr eine größere Menge Ecstasy. Erste Vermutungen, dass die junge Frau das Opfer in einem Verteilungskampf der Drogenszene wurde, werden auch von Bastian bestätigt, der als Augenzeuge mit seiner Aussage einen stadtbekannten Drogendealer belastet. Es gelingt der Polizei, den Mann bei der Übernahme einer größeren Menge Ecstasy zu verhaften, doch den Mordanschlag können ihm Schwarz und Winkler nicht nachweisen. Dafür gerät ihr Belastungszeuge in Lebensgefahr und kann nur knapp einem Mordanschlag entgehen.
If there’s one show that has stood the test of time in the world of crime dramas, it’s undoubtedly Tatort. First airing on November 29, 1970, this German-language police procedural television series has become a staple in households across Germany, Austria, and Switzerland. Broadcasted on major channels like ARD, ORF 2, and SF1, Tatort has produced over 1200 episodes across its remarkable 55 seasons. Each episode is distinctively crafted by various regional broadcasters, showcasing unique settings and local customs while maintaining a thread of gripping crime-solving narratives.
One of the most compelling aspects of Tatort is its commitment to character depth and development. The format allows for feature-length episodes averaging around 90 minutes each—far longer than typical weekly dramas—which affords viewers an immersive experience into the lives of its protagonists. From iconic inspectors like Schimanski to contemporary favorites navigating complex cases in bustling cities or quiet towns, viewers get a multi-dimensional view of not just the crimes but the cultures surrounding them. This emphasis on character makes it easy for audiences to connect with their stories and invest emotionally in their fates.
The collaborative production model behind Tatort is another reason for its phenomenal longevity and success. Each participating regional TV station contributes uniquely styled episodes featuring different teams of inspectors solving crimes in their own cities—from scenic Vienna to vibrant Berlin—showcasing local architecture and dialects as integral parts of the plotline. This approach not only enriches each episode but also fosters a sense of community among viewers who may recognize their own locales being portrayed onscreen.
