- Original release
- Previous episode S31E07 - Wandas letzter Gang
- Number S31E08
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Director
Bodo Fürneisen
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Writer
Scarlett Kleint
- Country XG
- Original language German
- Genres Crime, Drama, Mystery, Thriller
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External links
TheTVDB page
IMDB page
TheMovieDB page -
Last update
31 janvier 2026 - 06:27
on 11 databases
Braut in Schwarz
Als Arndt nach zwei Jahren Haft in sein Heimatdorf zurückkehrt, wird dort gefeiert: Maja, Arndts große Liebe, heiratet René. Aus einem Schulfreund ist ein Rivale geworden! Wütend und enttäuscht schlägt ihn Arndt zusammen. Am nächsten Tag wird Arndt gesucht - als Mörder, denn in der Ruine des abgebrannten Gemeinde-Kindergartens ist Renés Leiche gefunden worden. Niemand will etwas gesehen haben, das ganze Dorf hat mitgefeiert. Auch die Bürgermeisterin Thea weiß nicht, wo sich Arndt versteckt hält - und dabei ist sie seine Mutter. Alle Fakten sprechen gegen ihren Sohn: Die Beute seiner früheren Raubzüge ist nie gefunden worden, und auch seinen Komplizen hat er nicht verraten - trotzdem beharrt die Bürgermeisterin darauf, dass Arndt unschuldig ist.
If there’s one show that has stood the test of time in the world of crime dramas, it’s undoubtedly Tatort. First airing on November 29, 1970, this German-language police procedural television series has become a staple in households across Germany, Austria, and Switzerland. Broadcasted on major channels like ARD, ORF 2, and SF1, Tatort has produced over 1200 episodes across its remarkable 55 seasons. Each episode is distinctively crafted by various regional broadcasters, showcasing unique settings and local customs while maintaining a thread of gripping crime-solving narratives.
One of the most compelling aspects of Tatort is its commitment to character depth and development. The format allows for feature-length episodes averaging around 90 minutes each—far longer than typical weekly dramas—which affords viewers an immersive experience into the lives of its protagonists. From iconic inspectors like Schimanski to contemporary favorites navigating complex cases in bustling cities or quiet towns, viewers get a multi-dimensional view of not just the crimes but the cultures surrounding them. This emphasis on character makes it easy for audiences to connect with their stories and invest emotionally in their fates.
The collaborative production model behind Tatort is another reason for its phenomenal longevity and success. Each participating regional TV station contributes uniquely styled episodes featuring different teams of inspectors solving crimes in their own cities—from scenic Vienna to vibrant Berlin—showcasing local architecture and dialects as integral parts of the plotline. This approach not only enriches each episode but also fosters a sense of community among viewers who may recognize their own locales being portrayed onscreen.
