- Original release
- Previous episode S37E03 - Wie ist die Welt so stille
- Number S37E04
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Director
Jürgen Brauer
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Writers
Annette Hess
Alexander Pfeuffer
- Country XG
- Original language German
- Genres Crime, Drama, Mystery, Thriller
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External links
TheTVDB page
IMDB page
TheMovieDB page -
Last update
6 février 2026 - 06:23
on 11 databases
Keiner schreit!
Beim Motocross-Training verunglückt der 15-jährige Jonas mit dem Motorrad seines Trainers schwer. Manipulationen an der Maschine haben zu dem Unfall geführt. Galt der Anschlag dem Jungen oder hatte es der Täter auf den Trainer Raake abgesehen? Maik Raake war in seiner Jugend auf die schiefe Bahn geraten. Kurz vor dem Anschlag hatte sich bei ihm wieder ein alter Freund gemeldet, der aus der Haft entlassen wurde. Der Trainer weist diesen Verdacht vehement zurück. Doch wie bezahlt er seinen teuren Sport, und wie finanziert er den Bau seines schicken Hauses? Die Kommissare ermitteln, dass Raake mehrmals vom Vereinsvorsitzenden Bachmeier mit größeren Beträgen finanziell unterstützt wurde.
If there’s one show that has stood the test of time in the world of crime dramas, it’s undoubtedly Tatort. First airing on November 29, 1970, this German-language police procedural television series has become a staple in households across Germany, Austria, and Switzerland. Broadcasted on major channels like ARD, ORF 2, and SF1, Tatort has produced over 1200 episodes across its remarkable 55 seasons. Each episode is distinctively crafted by various regional broadcasters, showcasing unique settings and local customs while maintaining a thread of gripping crime-solving narratives.
One of the most compelling aspects of Tatort is its commitment to character depth and development. The format allows for feature-length episodes averaging around 90 minutes each—far longer than typical weekly dramas—which affords viewers an immersive experience into the lives of its protagonists. From iconic inspectors like Schimanski to contemporary favorites navigating complex cases in bustling cities or quiet towns, viewers get a multi-dimensional view of not just the crimes but the cultures surrounding them. This emphasis on character makes it easy for audiences to connect with their stories and invest emotionally in their fates.
The collaborative production model behind Tatort is another reason for its phenomenal longevity and success. Each participating regional TV station contributes uniquely styled episodes featuring different teams of inspectors solving crimes in their own cities—from scenic Vienna to vibrant Berlin—showcasing local architecture and dialects as integral parts of the plotline. This approach not only enriches each episode but also fosters a sense of community among viewers who may recognize their own locales being portrayed onscreen.
