- Original release
- Previous episode S21E03 - Der geborene Verlierer
- Number S21E04
- Country Germany
- Original language German
- Genres Crime, Drama
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External links
TheTVDB page
IMDB page
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Last update
2 février 2026 - 18:13
on 11 databases
Der Mann des Jahres
Noch vor einigen Wochen ist er von einem Manager-Magazin zum 'Mann des Jahres' gekürt worden - jetzt liegt Helmut Offermann tot im Pool seines Hotels. Ein Fall für die SOKO 5113. Selten wurden Hauptkommissar Schickl und sein Team mit einem Opfer konfrontiert, das so offensichtlich mehr Feinde als Freunde hatte, denn das gesamte Hotel wimmelt von Motiven: Offermanns Assistentin Marion Gehler kam über das beendete Verhältnis nicht hinweg. Portier Lindtner und Küchenchef Waller sollten gekündigt werden, Sicherheitschefin Olga Krakauer wollte die Rationalisierungsmaßnahmen verhindern und Kellnerin Anke sich vor sexuellen Übergriffen schützen. Und dann ist da noch der dubiose Gast Richard Unger, der ausgerechnet Susanne von Hagenberg schöne Augen macht. Als eine weitere Leiche gefunden wird, die mit dem eigentlichen Fall in so gar keiner Verbindung zu stehen scheint, überschlagen sich die Ereignisse...
If there’s one show that has stood the test of time in the world of crime dramas, it’s undoubtedly Tatort. First airing on November 29, 1970, this German-language police procedural television series has become a staple in households across Germany, Austria, and Switzerland. Broadcasted on major channels like ARD, ORF 2, and SF1, Tatort has produced over 1200 episodes across its remarkable 55 seasons. Each episode is distinctively crafted by various regional broadcasters, showcasing unique settings and local customs while maintaining a thread of gripping crime-solving narratives.
One of the most compelling aspects of Tatort is its commitment to character depth and development. The format allows for feature-length episodes averaging around 90 minutes each—far longer than typical weekly dramas—which affords viewers an immersive experience into the lives of its protagonists. From iconic inspectors like Schimanski to contemporary favorites navigating complex cases in bustling cities or quiet towns, viewers get a multi-dimensional view of not just the crimes but the cultures surrounding them. This emphasis on character makes it easy for audiences to connect with their stories and invest emotionally in their fates.
The collaborative production model behind Tatort is another reason for its phenomenal longevity and success. Each participating regional TV station contributes uniquely styled episodes featuring different teams of inspectors solving crimes in their own cities—from scenic Vienna to vibrant Berlin—showcasing local architecture and dialects as integral parts of the plotline. This approach not only enriches each episode but also fosters a sense of community among viewers who may recognize their own locales being portrayed onscreen.
