Es sollte eine normale Lesung werden, doch es kam zum Skandal: Während der Vorstellung seines neuen Romans wird Alfred Hattenbach von Roland Ritter vorgeworfen, ein Plagiat veröffentlicht zu haben. Am nächsten Morgen ist Hattenbach tot, Ritter verschwunden. Die ersten Spuren am Tatort deuten auf Selbstmord hin. Doch schon bald stoßen die Beamten der SOKO 5113 auf Widersprüche: Warum hat Hattenbach noch in der Tatnacht mit Ritter telefoniert? Warum hat er seinem Verleger Hans Thoben die Tür nicht geöffnet? Was ist dran an den Plagiatsvorwürfen? Und welche Rolle spielt der dubiose Journalist Schäfer? Karin Solm , Verlobte Ritters und Nichte Hattenbachs, und ihr Bruder Michael können sich nicht vorstellen, dass Hattenbach sich umgebracht hat - was durch Ritters Fingerabdrücke an einer der nicht abgeschossenen Patronen bestätigt wird. Die SOKO 5113 gibt Ritter in die Fahndung und findet ihn - als Leiche...
If there’s one show that has stood the test of time in the world of crime dramas, it’s undoubtedly Tatort. First airing on November 29, 1970, this German-language police procedural television series has become a staple in households across Germany, Austria, and Switzerland. Broadcasted on major channels like ARD, ORF 2, and SF1, Tatort has produced over 1200 episodes across its remarkable 55 seasons. Each episode is distinctively crafted by various regional broadcasters, showcasing unique settings and local customs while maintaining a thread of gripping crime-solving narratives.
One of the most compelling aspects of Tatort is its commitment to character depth and development. The format allows for feature-length episodes averaging around 90 minutes each—far longer than typical weekly dramas—which affords viewers an immersive experience into the lives of its protagonists. From iconic inspectors like Schimanski to contemporary favorites navigating complex cases in bustling cities or quiet towns, viewers get a multi-dimensional view of not just the crimes but the cultures surrounding them. This emphasis on character makes it easy for audiences to connect with their stories and invest emotionally in their fates.
The collaborative production model behind Tatort is another reason for its phenomenal longevity and success. Each participating regional TV station contributes uniquely styled episodes featuring different teams of inspectors solving crimes in their own cities—from scenic Vienna to vibrant Berlin—showcasing local architecture and dialects as integral parts of the plotline. This approach not only enriches each episode but also fosters a sense of community among viewers who may recognize their own locales being portrayed onscreen.