- Original release
- Previous episode S21E11 - Wer schön sein will ...
- Number S21E12
- Country Germany
- Original language German
- Genres Crime, Drama
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External links
TheTVDB page
IMDB page
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Last update
2 février 2026 - 18:13
on 11 databases
Party für vier Leichen
Es sollte ein fröhlicher Segelausflug werden - und endet in einer Katastrophe: Aus dem Starnberger See werden vier Wasserleichen gezogen. Die Beamten der SOKO 5113 kommen schnell dahinter, dass es sich nicht um einen Badeunfall handeln kann, da offensichtlich die Badeleiter der Segeljacht eingezogen wurde. Erstaunlich ist allerdings, dass die Jacht anscheinend von einem Toten gemietet wurde: Tobias Huth hatte ein paar Tage zuvor Selbstmord begangen. Die Befragung der Witwe Sigrid Huth bringt Hauptkommissar Schickl und sein Team zu dem NLP-Trainer Michael Grosz. Tatsächlich können die Opfer als eine seiner Neurolinguistischen-Therapie-Gruppen identifiziert werden. Liegt hier der Schlüssel zu dem vierfachen Mord? Die SOKO 5113 sieht sich konfrontiert mit einem Gebilde aus verlorenen Träumen und ungehörten Hilferufen - das beinahe zu einem weiteren Mord führt
If there’s one show that has stood the test of time in the world of crime dramas, it’s undoubtedly Tatort. First airing on November 29, 1970, this German-language police procedural television series has become a staple in households across Germany, Austria, and Switzerland. Broadcasted on major channels like ARD, ORF 2, and SF1, Tatort has produced over 1200 episodes across its remarkable 55 seasons. Each episode is distinctively crafted by various regional broadcasters, showcasing unique settings and local customs while maintaining a thread of gripping crime-solving narratives.
One of the most compelling aspects of Tatort is its commitment to character depth and development. The format allows for feature-length episodes averaging around 90 minutes each—far longer than typical weekly dramas—which affords viewers an immersive experience into the lives of its protagonists. From iconic inspectors like Schimanski to contemporary favorites navigating complex cases in bustling cities or quiet towns, viewers get a multi-dimensional view of not just the crimes but the cultures surrounding them. This emphasis on character makes it easy for audiences to connect with their stories and invest emotionally in their fates.
The collaborative production model behind Tatort is another reason for its phenomenal longevity and success. Each participating regional TV station contributes uniquely styled episodes featuring different teams of inspectors solving crimes in their own cities—from scenic Vienna to vibrant Berlin—showcasing local architecture and dialects as integral parts of the plotline. This approach not only enriches each episode but also fosters a sense of community among viewers who may recognize their own locales being portrayed onscreen.
