- Original release
- Previous episode S23E03 - La Divina
- Number S23E04
- Country Germany
- Original language German
- Genres Crime, Drama
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External links
TheTVDB page
IMDB page
TheMovieDB page -
Last update
2 février 2026 - 18:13
on 11 databases
Wein, Weib und Mord
Das tragische Ende eines schönen Abends: Amelie Kretschmer wird erdrosselt in ihrem Wagen aufgefunden. Eine Vergewaltigung? Ein Raubmord? Die SOKO 5113 nimmt die Ermittlungen auf. Schon bald erfahren Hauptkommissar Schickl und sein Team, dass Amelie an einem Weinseminar im 'La Cantina' teilgenommen hat. Alle Anzeichen sprechen dafür, dass der Mörder im Kreis der Teilnehmer zu suchen ist. Warum verschweigt der biedere Christoph Lingg, dass er die Tote intim kannte? Welche Rolle spielt der dubiose Bürgermeisterschaftskandidat Constantin Petzner ? Und wovor fürchtet sich der Seminarleiter Martin Masani? Als auf Amelies Ex-Freund Tobias Merlinger ebenfalls ein Anschlag verübt wird, nimmt der Fall eine unerwartete Wendung und zwingt die SOKO 5113 zu einem gefährlichen Spiel ...
If there’s one show that has stood the test of time in the world of crime dramas, it’s undoubtedly Tatort. First airing on November 29, 1970, this German-language police procedural television series has become a staple in households across Germany, Austria, and Switzerland. Broadcasted on major channels like ARD, ORF 2, and SF1, Tatort has produced over 1200 episodes across its remarkable 55 seasons. Each episode is distinctively crafted by various regional broadcasters, showcasing unique settings and local customs while maintaining a thread of gripping crime-solving narratives.
One of the most compelling aspects of Tatort is its commitment to character depth and development. The format allows for feature-length episodes averaging around 90 minutes each—far longer than typical weekly dramas—which affords viewers an immersive experience into the lives of its protagonists. From iconic inspectors like Schimanski to contemporary favorites navigating complex cases in bustling cities or quiet towns, viewers get a multi-dimensional view of not just the crimes but the cultures surrounding them. This emphasis on character makes it easy for audiences to connect with their stories and invest emotionally in their fates.
The collaborative production model behind Tatort is another reason for its phenomenal longevity and success. Each participating regional TV station contributes uniquely styled episodes featuring different teams of inspectors solving crimes in their own cities—from scenic Vienna to vibrant Berlin—showcasing local architecture and dialects as integral parts of the plotline. This approach not only enriches each episode but also fosters a sense of community among viewers who may recognize their own locales being portrayed onscreen.
