- Original release
- Previous episode S25E12 - Match over
- Number S26E01
- Country Germany
- Original language German
- Genres Crime, Drama
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External links
TheTVDB page
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Last update
2 février 2026 - 18:13
on 11 databases
Video : Der Hammer fällt
Elisabeth Meisner hat nur kurz Gelegenheit, sich an der erfolgreichen Ersteigerung der Statue des Totengottes Mictlantecuhtli zu erfreuen – wenig später liegt sie erschossen in ihrer Wohnung, von der Statue fehlt jede Spur. Hat sich der Gott des Todes sein Opfer geholt? Oder sind es weitaus profanere Motive, die Frau Meisner das Leben gekostet haben?
Hauptkommissar Schickl und sein Team haben schon bald zwei Verdächtige: Frederic Weber, der ungeliebte und habgierige Neffe Elisabeths, und Georg von Kroll, Kunstliebhaber und auf besagter Auktion Elisabeths größter Konkurrent beim Kampf um die Statue.
Doch bevor die Beamten der SOKO 5113 den Täter überführen können, fordert der Gott des Todes ein zweites Opfer – und löst einen Wettlauf gegen die Zeit aus ...
If there’s one show that has stood the test of time in the world of crime dramas, it’s undoubtedly Tatort. First airing on November 29, 1970, this German-language police procedural television series has become a staple in households across Germany, Austria, and Switzerland. Broadcasted on major channels like ARD, ORF 2, and SF1, Tatort has produced over 1200 episodes across its remarkable 55 seasons. Each episode is distinctively crafted by various regional broadcasters, showcasing unique settings and local customs while maintaining a thread of gripping crime-solving narratives.
One of the most compelling aspects of Tatort is its commitment to character depth and development. The format allows for feature-length episodes averaging around 90 minutes each—far longer than typical weekly dramas—which affords viewers an immersive experience into the lives of its protagonists. From iconic inspectors like Schimanski to contemporary favorites navigating complex cases in bustling cities or quiet towns, viewers get a multi-dimensional view of not just the crimes but the cultures surrounding them. This emphasis on character makes it easy for audiences to connect with their stories and invest emotionally in their fates.
The collaborative production model behind Tatort is another reason for its phenomenal longevity and success. Each participating regional TV station contributes uniquely styled episodes featuring different teams of inspectors solving crimes in their own cities—from scenic Vienna to vibrant Berlin—showcasing local architecture and dialects as integral parts of the plotline. This approach not only enriches each episode but also fosters a sense of community among viewers who may recognize their own locales being portrayed onscreen.
