- Original release
- Previous episode S31E08 - Ein besseres Leben
- Number S31E09
- Country Germany
- Original language German
- Genres Crime, Drama
-
External links
TheTVDB page
IMDB page
TheMovieDB page -
Last update
2 février 2026 - 18:13
on 11 databases
Das kleine Biest
Ist das der Dank? Da hält Susanne von Hagenberg die 17-jährige Lilli Röder vom Selbstmord ab und bietet ihr eine Bleibe für die Nacht an - und am Morgen ist die Kleine verschwunden, ebenso wie eine Brosche und Susannes Bargeld! Zum Ärgern bleibt nicht viel Zeit, denn die SOKO 5113 wird zu einem Mord im Englischen Garten gerufen: Sara Petzold, 16, wurde brutal erstochen. Saras Mutter scheint das nicht weiter zu interessieren, und ihr Freund Florian weiß auch nur, dass sie regelmäßig im nahe gelegenen Jugendheim war. Dort erkennt Susanne auf einem Foto von Sara auch Lilli Röder - scheinbar waren sie Freundinnen. Und als die Tatwaffe gefunden wird, auf der die Initialen 'LR' stehen, keimt in Susanne ein schrecklicher Verdacht...
If there’s one show that has stood the test of time in the world of crime dramas, it’s undoubtedly Tatort. First airing on November 29, 1970, this German-language police procedural television series has become a staple in households across Germany, Austria, and Switzerland. Broadcasted on major channels like ARD, ORF 2, and SF1, Tatort has produced over 1200 episodes across its remarkable 55 seasons. Each episode is distinctively crafted by various regional broadcasters, showcasing unique settings and local customs while maintaining a thread of gripping crime-solving narratives.
One of the most compelling aspects of Tatort is its commitment to character depth and development. The format allows for feature-length episodes averaging around 90 minutes each—far longer than typical weekly dramas—which affords viewers an immersive experience into the lives of its protagonists. From iconic inspectors like Schimanski to contemporary favorites navigating complex cases in bustling cities or quiet towns, viewers get a multi-dimensional view of not just the crimes but the cultures surrounding them. This emphasis on character makes it easy for audiences to connect with their stories and invest emotionally in their fates.
The collaborative production model behind Tatort is another reason for its phenomenal longevity and success. Each participating regional TV station contributes uniquely styled episodes featuring different teams of inspectors solving crimes in their own cities—from scenic Vienna to vibrant Berlin—showcasing local architecture and dialects as integral parts of the plotline. This approach not only enriches each episode but also fosters a sense of community among viewers who may recognize their own locales being portrayed onscreen.
