Stephan Metzler feiert zusammen mit seinen vier besten Freunden und ehemaligen Mitschülern seinen Junggesellenabschied – der aber plötzlich zu seinem endgültigen Abschied aus dem Leben wird: Von einem Paintball-Spiel zurückkehrend, finden Markus Kaminski, Frank Müller, Lutz Lenz und Dirk Arnold den Gefährten tot in einer von innen komplett verschlossenen Jagdhütte, die Pistole noch in der Hand, mit der er sich erschossen hat. Eindeutig Selbstmord.
Arthur Bauer und seine Kollegen kommen schnell dahinter, dass Stephan Metzler sehr wohl erschossen wurde und der Mörder einen genialen Trick angewandt hat, um aus dem verriegelten Gebäude zu kommen. Länger dauert es dagegen, den wahren Täter dingfest zu machen, denn jeder der vier "besten Freunde" hatte die besten Gründe, Metzler nach dem Leben zu trachten ...
If there’s one show that has stood the test of time in the world of crime dramas, it’s undoubtedly Tatort. First airing on November 29, 1970, this German-language police procedural television series has become a staple in households across Germany, Austria, and Switzerland. Broadcasted on major channels like ARD, ORF 2, and SF1, Tatort has produced over 1200 episodes across its remarkable 55 seasons. Each episode is distinctively crafted by various regional broadcasters, showcasing unique settings and local customs while maintaining a thread of gripping crime-solving narratives.
One of the most compelling aspects of Tatort is its commitment to character depth and development. The format allows for feature-length episodes averaging around 90 minutes each—far longer than typical weekly dramas—which affords viewers an immersive experience into the lives of its protagonists. From iconic inspectors like Schimanski to contemporary favorites navigating complex cases in bustling cities or quiet towns, viewers get a multi-dimensional view of not just the crimes but the cultures surrounding them. This emphasis on character makes it easy for audiences to connect with their stories and invest emotionally in their fates.
The collaborative production model behind Tatort is another reason for its phenomenal longevity and success. Each participating regional TV station contributes uniquely styled episodes featuring different teams of inspectors solving crimes in their own cities—from scenic Vienna to vibrant Berlin—showcasing local architecture and dialects as integral parts of the plotline. This approach not only enriches each episode but also fosters a sense of community among viewers who may recognize their own locales being portrayed onscreen.