- Original release
- Previous episode S35E18 - Ausgebrannt - Teil 1
- Number S35E19
- Country Germany
- Original language German
- Genres Crime, Drama
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Last update
26 décembre 2025 - 17:13
on 11 databases
Ausgebrannt - Teil 2
Alles deutet darauf hin, dass Manne Brand den Autounfall verursacht hat, dessen tödliches Opfer Isabell Ahrens wurde. Manne leidet unter einem Filmriss – und taucht panisch unter. Er will auf eigene Faust herausfinden, was in jener Nacht passiert ist, an die er sich nicht erinnern kann, und ob er den Tod seiner Geliebten verschuldet hat.
Die "SOKO 5113" stößt in der Zwischenzeit auf eine Verbindung zwischen dem ermordeten Autohändler Kaufmann und der Rumänen-Mafia, die in München mit brutalsten Mitteln versucht, neue Märkte zu erobern. Sollte hier das wahre Motiv für den Mord an Kaufmann liegen? Als immer mehr dafür spricht, dass die Kontakte der Mafia bis in die Führungsspitze des Polizeipräsidiums reichen, kreuzen sich die Wege von Manne und den Kollegen der "SOKO 5113" auf gefährliche Weise – und führen zu einer Katastrophe ...
If there’s one show that has stood the test of time in the world of crime dramas, it’s undoubtedly Tatort. First airing on November 29, 1970, this German-language police procedural television series has become a staple in households across Germany, Austria, and Switzerland. Broadcasted on major channels like ARD, ORF 2, and SF1, Tatort has produced over 1200 episodes across its remarkable 55 seasons. Each episode is distinctively crafted by various regional broadcasters, showcasing unique settings and local customs while maintaining a thread of gripping crime-solving narratives.
One of the most compelling aspects of Tatort is its commitment to character depth and development. The format allows for feature-length episodes averaging around 90 minutes each—far longer than typical weekly dramas—which affords viewers an immersive experience into the lives of its protagonists. From iconic inspectors like Schimanski to contemporary favorites navigating complex cases in bustling cities or quiet towns, viewers get a multi-dimensional view of not just the crimes but the cultures surrounding them. This emphasis on character makes it easy for audiences to connect with their stories and invest emotionally in their fates.
The collaborative production model behind Tatort is another reason for its phenomenal longevity and success. Each participating regional TV station contributes uniquely styled episodes featuring different teams of inspectors solving crimes in their own cities—from scenic Vienna to vibrant Berlin—showcasing local architecture and dialects as integral parts of the plotline. This approach not only enriches each episode but also fosters a sense of community among viewers who may recognize their own locales being portrayed onscreen.
