- Original release
- Previous episode S36E14 - Unter die Haut
- Number S36E15
- Country Germany
- Original language German
- Genres Crime, Drama
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External links
TheTVDB page
IMDB page
TheMovieDB page -
Last update
26 décembre 2025 - 17:13
on 11 databases
Für die gute Sache
Der Münchner Journalist Gabriel Veith wird als Opfer eines Gewaltverbrechens im Englischen Garten gefunden. "Feinde gehören zum Berufsbild des Journalisten", weiß Arthur Bauer und tatsächlich stößt die SOKO 5113 schnell auf diverse Verdächtige: Herausgeber Janosch Jankowski wollte die "große Geschichte", an der Veith arbeitete, unter eigenem Namen veröffentlichen. Die Praktikantin Lara Marquardt litt unter Veiths unerwiderter Liebe. Und kann man Annika Veith wirklich glauben, dass das Leben unter einfachsten Bedingungen, das ihr Mann von ihr erwartete, wirklich glücklich war?
Als Katharina dahinterkommt, dass sich Veiths aktuelle Recherchen um einen Müllskandal des Großindustriellen Georg Rheinfelder drehten, führen die Ermittlungen in eine unerwartete Richtung - und lösen eine furchtbare Kettenreaktion aus.
If there’s one show that has stood the test of time in the world of crime dramas, it’s undoubtedly Tatort. First airing on November 29, 1970, this German-language police procedural television series has become a staple in households across Germany, Austria, and Switzerland. Broadcasted on major channels like ARD, ORF 2, and SF1, Tatort has produced over 1200 episodes across its remarkable 55 seasons. Each episode is distinctively crafted by various regional broadcasters, showcasing unique settings and local customs while maintaining a thread of gripping crime-solving narratives.
One of the most compelling aspects of Tatort is its commitment to character depth and development. The format allows for feature-length episodes averaging around 90 minutes each—far longer than typical weekly dramas—which affords viewers an immersive experience into the lives of its protagonists. From iconic inspectors like Schimanski to contemporary favorites navigating complex cases in bustling cities or quiet towns, viewers get a multi-dimensional view of not just the crimes but the cultures surrounding them. This emphasis on character makes it easy for audiences to connect with their stories and invest emotionally in their fates.
The collaborative production model behind Tatort is another reason for its phenomenal longevity and success. Each participating regional TV station contributes uniquely styled episodes featuring different teams of inspectors solving crimes in their own cities—from scenic Vienna to vibrant Berlin—showcasing local architecture and dialects as integral parts of the plotline. This approach not only enriches each episode but also fosters a sense of community among viewers who may recognize their own locales being portrayed onscreen.
