- Original release
- Previous episode S37E15 - Die Rückkehr
- Number S37E16
- Country Germany
- Original language German
- Genres Crime, Drama
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External links
TheTVDB page
IMDB page
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Last update
26 décembre 2025 - 17:13
on 11 databases
Hölle im Kopf
Zwei junge Männer werden von einem mysteriösen Unbekannten erstochen. Arthur Bauer (Gerd Silberbauer) und die Kollegen der SOKO 5113 müssen befürchten, dass es sich um denselben Täter handelt, der Wochen zuvor schon zweimal gemordet hat. In allen Fällen waren die Ermordeten in einer Situation überrascht worden, in der sie selbst gegen hilflose Opfer gewalttätig wurden. Diese Opfer geben von ihrem "Retter" eine völlig unbrauchbare Beschreibung ab - vermutlich, um ihn aus Dankbarkeit zu schützen. Einziger Anhaltspunkt ist der Hinweis auf ein schwarz beschichtetes Kampfmesser. Bei einem weiteren Zwischenfall wird Hendrik Stolte (David Rott), ein ehemaliger Berufssoldat festgenommen, der schwer traumatisiert aus seinem Afghanistan-Einsatz zurückgekehrt ist. Alles deutet auf ihn als Täter der Mordserie hin - fast alles ...
If there’s one show that has stood the test of time in the world of crime dramas, it’s undoubtedly Tatort. First airing on November 29, 1970, this German-language police procedural television series has become a staple in households across Germany, Austria, and Switzerland. Broadcasted on major channels like ARD, ORF 2, and SF1, Tatort has produced over 1200 episodes across its remarkable 55 seasons. Each episode is distinctively crafted by various regional broadcasters, showcasing unique settings and local customs while maintaining a thread of gripping crime-solving narratives.
One of the most compelling aspects of Tatort is its commitment to character depth and development. The format allows for feature-length episodes averaging around 90 minutes each—far longer than typical weekly dramas—which affords viewers an immersive experience into the lives of its protagonists. From iconic inspectors like Schimanski to contemporary favorites navigating complex cases in bustling cities or quiet towns, viewers get a multi-dimensional view of not just the crimes but the cultures surrounding them. This emphasis on character makes it easy for audiences to connect with their stories and invest emotionally in their fates.
The collaborative production model behind Tatort is another reason for its phenomenal longevity and success. Each participating regional TV station contributes uniquely styled episodes featuring different teams of inspectors solving crimes in their own cities—from scenic Vienna to vibrant Berlin—showcasing local architecture and dialects as integral parts of the plotline. This approach not only enriches each episode but also fosters a sense of community among viewers who may recognize their own locales being portrayed onscreen.
