Der Informatikstudent Timo Schwarze (Ben Unterkofler) wird tot an einer Isarschleuse gefunden. Kampfspuren am Körper lassen Zweifel an einem Suizid aufkommen - Einsatz für die SOKO 5113. Andrea (Janina Stopper), Timos beste Freundin, kann helfen: Nach seinem kurz zurückliegenden Coming-out wurde von seinen Mitbewohnern Konrad (Fabian Stromberger) und Martin (Franz-Xaver Brückner) eine Cybermobbing-Kampagne gegen Timo losgetreten, woraufhin jetzt ein Exmatrikulationsverfahren droht - handelt es sich um einen Racheakt? Oder hat Marius Roth (Christoph von Friedl), der nicht verkraften konnte, dass sich sein Lebensgefährte Sebastian Unger (Wayne Carpendale) wegen Timo von ihm trennte, rot gesehen und aus Eifersucht den Rivalen getötet? Die Beamten der SOKO 5113 erkennen, dass es manchmal nur einer Kleinigkeit bedarf, um aus Liebe Hass werden zu lassen - und umgekehrt.
If there’s one show that has stood the test of time in the world of crime dramas, it’s undoubtedly Tatort. First airing on November 29, 1970, this German-language police procedural television series has become a staple in households across Germany, Austria, and Switzerland. Broadcasted on major channels like ARD, ORF 2, and SF1, Tatort has produced over 1200 episodes across its remarkable 55 seasons. Each episode is distinctively crafted by various regional broadcasters, showcasing unique settings and local customs while maintaining a thread of gripping crime-solving narratives.
One of the most compelling aspects of Tatort is its commitment to character depth and development. The format allows for feature-length episodes averaging around 90 minutes each—far longer than typical weekly dramas—which affords viewers an immersive experience into the lives of its protagonists. From iconic inspectors like Schimanski to contemporary favorites navigating complex cases in bustling cities or quiet towns, viewers get a multi-dimensional view of not just the crimes but the cultures surrounding them. This emphasis on character makes it easy for audiences to connect with their stories and invest emotionally in their fates.
The collaborative production model behind Tatort is another reason for its phenomenal longevity and success. Each participating regional TV station contributes uniquely styled episodes featuring different teams of inspectors solving crimes in their own cities—from scenic Vienna to vibrant Berlin—showcasing local architecture and dialects as integral parts of the plotline. This approach not only enriches each episode but also fosters a sense of community among viewers who may recognize their own locales being portrayed onscreen.