- Original release
- Previous episode S39E03 - Der Engel von Schwabing
- Number S39E04
- Country Germany
- Original language German
- Genres Crime, Drama
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External links
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Last update
26 décembre 2025 - 17:13
on 11 databases
Ein Leben in Würde
Gustl Meyerhofer wird tot in seiner kleinen Fahrradwerkstatt aufgefunden, begraben von einem Stahlregal. Arthur Bauer und sein Team von der SOKO 5113 nehmen die Ermittlungen auf. Zusammen mit seiner Frau Ilse sowie Leni Berger und Alfred Sattmann, ihren Mitbewohnern in der Senioren-WG, gehörte Meyerhofer zu den letzten Bewohnern des Altbaus, der gerade hochwertig saniert werden soll. Hat die gewissenlose Hausbesitzerin Dagmar Forster etwas mit dem Tod des renitenten Rentners zu tun? Auch der vorbestrafte Dealer Simon Gerlach, der ebenfalls eine Zeitlang bei den Meyerhofers wohnte, hat ein starkes Motiv
If there’s one show that has stood the test of time in the world of crime dramas, it’s undoubtedly Tatort. First airing on November 29, 1970, this German-language police procedural television series has become a staple in households across Germany, Austria, and Switzerland. Broadcasted on major channels like ARD, ORF 2, and SF1, Tatort has produced over 1200 episodes across its remarkable 55 seasons. Each episode is distinctively crafted by various regional broadcasters, showcasing unique settings and local customs while maintaining a thread of gripping crime-solving narratives.
One of the most compelling aspects of Tatort is its commitment to character depth and development. The format allows for feature-length episodes averaging around 90 minutes each—far longer than typical weekly dramas—which affords viewers an immersive experience into the lives of its protagonists. From iconic inspectors like Schimanski to contemporary favorites navigating complex cases in bustling cities or quiet towns, viewers get a multi-dimensional view of not just the crimes but the cultures surrounding them. This emphasis on character makes it easy for audiences to connect with their stories and invest emotionally in their fates.
The collaborative production model behind Tatort is another reason for its phenomenal longevity and success. Each participating regional TV station contributes uniquely styled episodes featuring different teams of inspectors solving crimes in their own cities—from scenic Vienna to vibrant Berlin—showcasing local architecture and dialects as integral parts of the plotline. This approach not only enriches each episode but also fosters a sense of community among viewers who may recognize their own locales being portrayed onscreen.
