- Original release
- Previous episode S39E20 - Alles wird gut
- Number S39E21
- Country Germany
- Original language German
- Genres Crime, Drama
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External links
TheTVDB page
IMDB page
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Last update
26 décembre 2025 - 17:13
on 11 databases
Video : Der Tote im Park
Im Englischen Garten wird ein Mann tot aufgefunden. Alles deutet auf einen Raubmord hin, bis Dr. Weissenböck die wahre Todesursache feststellt: Er wurde gefesselt gezwungen, mit Kokain gefüllte Kondome zu schlucken, ehe man ihm Kokosöl einflößte, die diese zum Auflösen brachte, und der Magen des Opfers vom Kokain überflutet wurde. Die "SOKO 5113" sucht also jemanden, der sein Opfer vor dessen Tod leiden sehen wollte. Das Opfer kann als Sportstudent Lukas Stelter identifiziert werden. In seiner Wohnung findet die SOKO eine Flasche Kokosöl aus dem Thai-Restaurant von Johnny Wuh. Hier nahm das Opfer vor wenigen Wochen an einem Kochkurs teil - sollte hier eine Verbindung zu der grausamen Tat liegen?
If there’s one show that has stood the test of time in the world of crime dramas, it’s undoubtedly Tatort. First airing on November 29, 1970, this German-language police procedural television series has become a staple in households across Germany, Austria, and Switzerland. Broadcasted on major channels like ARD, ORF 2, and SF1, Tatort has produced over 1200 episodes across its remarkable 55 seasons. Each episode is distinctively crafted by various regional broadcasters, showcasing unique settings and local customs while maintaining a thread of gripping crime-solving narratives.
One of the most compelling aspects of Tatort is its commitment to character depth and development. The format allows for feature-length episodes averaging around 90 minutes each—far longer than typical weekly dramas—which affords viewers an immersive experience into the lives of its protagonists. From iconic inspectors like Schimanski to contemporary favorites navigating complex cases in bustling cities or quiet towns, viewers get a multi-dimensional view of not just the crimes but the cultures surrounding them. This emphasis on character makes it easy for audiences to connect with their stories and invest emotionally in their fates.
The collaborative production model behind Tatort is another reason for its phenomenal longevity and success. Each participating regional TV station contributes uniquely styled episodes featuring different teams of inspectors solving crimes in their own cities—from scenic Vienna to vibrant Berlin—showcasing local architecture and dialects as integral parts of the plotline. This approach not only enriches each episode but also fosters a sense of community among viewers who may recognize their own locales being portrayed onscreen.
