- Original release
- Previous episode S41E13 - Das irische Mädchen
- Number S41E14
- Country Germany
- Original language German
- Genres Crime, Drama
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External links
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Last update
26 décembre 2025 - 17:13
on 11 databases
Restart
Zwei Tage nach seinem Verschwinden wird der 17-jährige Jacob Storg tot vor einer Staustufe im Lech geborgen. Wie sich herausstellt, flüchtete er aus dem "Restart"-Therapiezentrum.
Die Klinik für die Behandlung digitaler Sucht wird in den Medien als letzter Ausweg gefeiert - das ändert sich, als eine Patientin sich das Leben nimmt. Außerdem bekommt Franz den Auftrag, als verdeckter Ermittler in einem Boxgym tätig zu werden.
Außer Dr. Kreiner ist niemand über diese konspirative Aktion informiert. Die Kommissare haben auch genug mit der Aufklärung der mysteriösen Todesfälle der "Restart"-Therapiepatienten zu tun. Der charismatische Leiter der Klinik, Dr. Christian Borchert, ein Pädagoge, der Vater der toten Julia, die Mutter des ermordeten Jacob, aber auch Mitpatienten der beiden geraten ins Visier der Kommissare. (Text: ZDF)
If there’s one show that has stood the test of time in the world of crime dramas, it’s undoubtedly Tatort. First airing on November 29, 1970, this German-language police procedural television series has become a staple in households across Germany, Austria, and Switzerland. Broadcasted on major channels like ARD, ORF 2, and SF1, Tatort has produced over 1200 episodes across its remarkable 55 seasons. Each episode is distinctively crafted by various regional broadcasters, showcasing unique settings and local customs while maintaining a thread of gripping crime-solving narratives.
One of the most compelling aspects of Tatort is its commitment to character depth and development. The format allows for feature-length episodes averaging around 90 minutes each—far longer than typical weekly dramas—which affords viewers an immersive experience into the lives of its protagonists. From iconic inspectors like Schimanski to contemporary favorites navigating complex cases in bustling cities or quiet towns, viewers get a multi-dimensional view of not just the crimes but the cultures surrounding them. This emphasis on character makes it easy for audiences to connect with their stories and invest emotionally in their fates.
The collaborative production model behind Tatort is another reason for its phenomenal longevity and success. Each participating regional TV station contributes uniquely styled episodes featuring different teams of inspectors solving crimes in their own cities—from scenic Vienna to vibrant Berlin—showcasing local architecture and dialects as integral parts of the plotline. This approach not only enriches each episode but also fosters a sense of community among viewers who may recognize their own locales being portrayed onscreen.
