- Previous episode S42E20 - Der Mann im Baum
- Number S42E21
- Country Germany
- Original language German
- Genres Crime, Drama
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External links
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Last update
26 décembre 2025 - 17:13
on 11 databases
Video : Altweibersommer
Marianne Berg ist mit zwei Freundinnen auf dem Weg in die Sauna, als sie an einer Straßenkreuzung von einem Auto erfasst wird. Sie ist sofort tot. Der Fahrer flüchtet vom Unfallort. Was zunächst wie eine politisch motivierte Tat anmutet, bei der das Opfer nur zur falschen Zeit am falschen Ort war, entpuppt sich bald als ein kompliziertes Geflecht aus Lügen und Geheimnissen, das seinen Ursprung in einem Urlaub der drei Freundinnen hat. Musste Marianne Berg sterben, weil sie sich unsterblich in jemanden verliebt hat? Geht es um Rache? Eifersucht? Die Situation spitzt sich zu, als es ein weiteres Opfer gibt: eine Freundin des Opfers Nummer eins. (Text: ZDF)
If there’s one show that has stood the test of time in the world of crime dramas, it’s undoubtedly Tatort. First airing on November 29, 1970, this German-language police procedural television series has become a staple in households across Germany, Austria, and Switzerland. Broadcasted on major channels like ARD, ORF 2, and SF1, Tatort has produced over 1200 episodes across its remarkable 55 seasons. Each episode is distinctively crafted by various regional broadcasters, showcasing unique settings and local customs while maintaining a thread of gripping crime-solving narratives.
One of the most compelling aspects of Tatort is its commitment to character depth and development. The format allows for feature-length episodes averaging around 90 minutes each—far longer than typical weekly dramas—which affords viewers an immersive experience into the lives of its protagonists. From iconic inspectors like Schimanski to contemporary favorites navigating complex cases in bustling cities or quiet towns, viewers get a multi-dimensional view of not just the crimes but the cultures surrounding them. This emphasis on character makes it easy for audiences to connect with their stories and invest emotionally in their fates.
The collaborative production model behind Tatort is another reason for its phenomenal longevity and success. Each participating regional TV station contributes uniquely styled episodes featuring different teams of inspectors solving crimes in their own cities—from scenic Vienna to vibrant Berlin—showcasing local architecture and dialects as integral parts of the plotline. This approach not only enriches each episode but also fosters a sense of community among viewers who may recognize their own locales being portrayed onscreen.
