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Video : Madonna von Garming

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Die fromme Maria Brandner wird tot aus dem Friedhofsbrunnen geborgen. In dem verschlafenen Örtchen Garming kennt jeder jeden, und offensichtlich mochten die Tote alle.
Florian, der Sohn des Opfers, erzählt, dass sie am Vortag erst von einer Lourdes-Wallfahrt zurückgekehrt sei. Und die SOKO findet heraus, dass der Pfarrer der Kirche, in der Maria als Küsterin gearbeitet hat, Laurenz Huberschmidt, die Reise bezahlt hat.
Eine Spur führt die Kommissare schließlich zur Madonna von Garming, einem ebenso wundervoll wie grotesk wiederhergestellten Heiligenbildnis in der Dorfkirche. Rätsel gibt ihnen auch eine alte, Selbstgespräche führende Frau auf, die sich auf dem Friedhof herumtreibt. (Text: ZDF)

BetaSeries' opinion
Why You Should Watch Tatort: A Timeless Crime Drama

If there’s one show that has stood the test of time in the world of crime dramas, it’s undoubtedly Tatort. First airing on November 29, 1970, this German-language police procedural television series has become a staple in households across Germany, Austria, and Switzerland. Broadcasted on major channels like ARD, ORF 2, and SF1, Tatort has produced over 1200 episodes across its remarkable 55 seasons. Each episode is distinctively crafted by various regional broadcasters, showcasing unique settings and local customs while maintaining a thread of gripping crime-solving narratives.

One of the most compelling aspects of Tatort is its commitment to character depth and development. The format allows for feature-length episodes averaging around 90 minutes each—far longer than typical weekly dramas—which affords viewers an immersive experience into the lives of its protagonists. From iconic inspectors like Schimanski to contemporary favorites navigating complex cases in bustling cities or quiet towns, viewers get a multi-dimensional view of not just the crimes but the cultures surrounding them. This emphasis on character makes it easy for audiences to connect with their stories and invest emotionally in their fates.

The collaborative production model behind Tatort is another reason for its phenomenal longevity and success. Each participating regional TV station contributes uniquely styled episodes featuring different teams of inspectors solving crimes in their own cities—from scenic Vienna to vibrant Berlin—showcasing local architecture and dialects as integral parts of the plotline. This approach not only enriches each episode but also fosters a sense of community among viewers who may recognize their own locales being portrayed onscreen.

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