- Original release
- Previous episode S46E11 - Das dritte Auge
- Number S46E12
- Country Germany
- Original language German
- Genres Crime, Drama
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External links
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Last update
26 décembre 2025 - 17:13
on 11 databases
Tod eines Autors
Hector Minz, renommierter Krimiautor, wird an einem Münchener See tot aufgefunden. Die SOKO beginnt mit den Ermittlungen.
In seinem autobiografischen Roman mit dem Titel "Tod eines Autors" beschreibt Hector Minz das Komplott seiner Familie, die ihn angeblich umbringen und seinen Tod als Suizid ausgeben will. Seine Ehefrau Daniela und Tochter Marlen sehen das allerdings anders.
Sie glauben, dass Hector psychisch krank war und anstatt sich helfen zu lassen seine eigene Familie als Feind imaginiert hatte. Damian, der Sohn, beschuldigt seinen Vater sogar, sich nur umgebracht zu haben, um seiner Familie zu schaden.
Die Kommissare müssen lernen, zwischen Wahn, Fiktion und Wirklichkeit zu unterscheiden. Sie decken schließlich Hectors Kindheitstrauma auf. (Text: ZDF)
If there’s one show that has stood the test of time in the world of crime dramas, it’s undoubtedly Tatort. First airing on November 29, 1970, this German-language police procedural television series has become a staple in households across Germany, Austria, and Switzerland. Broadcasted on major channels like ARD, ORF 2, and SF1, Tatort has produced over 1200 episodes across its remarkable 55 seasons. Each episode is distinctively crafted by various regional broadcasters, showcasing unique settings and local customs while maintaining a thread of gripping crime-solving narratives.
One of the most compelling aspects of Tatort is its commitment to character depth and development. The format allows for feature-length episodes averaging around 90 minutes each—far longer than typical weekly dramas—which affords viewers an immersive experience into the lives of its protagonists. From iconic inspectors like Schimanski to contemporary favorites navigating complex cases in bustling cities or quiet towns, viewers get a multi-dimensional view of not just the crimes but the cultures surrounding them. This emphasis on character makes it easy for audiences to connect with their stories and invest emotionally in their fates.
The collaborative production model behind Tatort is another reason for its phenomenal longevity and success. Each participating regional TV station contributes uniquely styled episodes featuring different teams of inspectors solving crimes in their own cities—from scenic Vienna to vibrant Berlin—showcasing local architecture and dialects as integral parts of the plotline. This approach not only enriches each episode but also fosters a sense of community among viewers who may recognize their own locales being portrayed onscreen.
