- Original release
- Previous episode S01E12 - Monday
- Number S01E13
- Episode runtime 45 minutes
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Director
Timothy Busfield
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Writer
Aaron Sorkin
- Country United States
- Original language English
- Genres Comedy, Drama
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External links
TheTVDB page
IMDB page
TheMovieDB page -
Last update
13 juin 2025 - 11:53
on 11 databases
Video : The Harriet Dinner (1)
Danny and Jordan cannot get down from the roof of the theater; staff members attend a dinner honoring Harriet; Harriet and Matt's relationship begins to unravel.
Season 2 of The Paper (2025) premieres in just 13 days, on September 9, 2026, and that countdown is exactly why this is the week to move it to the top of your watchlist. The series, created by showrunners Greg Daniels and Michael Koman, returns with a premise that instantly speaks to fans of sharp workplace comedy: the documentary crew that once immortalized Dunder Mifflin’s Scranton branch has found a new subject, a dying historic Midwestern newspaper whose publisher is trying to bring it back to life with the help of volunteer reporters. If you have been waiting for the right moment to start, or if Season 1 slipped by you, Season 2’s upcoming premiere makes now the ideal time to catch up.
For lapsed viewers, the only essential reminder is this: The Paper is not a remake of The Office (US), but it exists in the same mockumentary spirit and, crucially, follows the same documentary impulse. Instead of paper sales, regional managers, and conference room awkwardness, the focus shifts to local journalism, community memory, and the daily absurdity of trying to save an institution that everyone claims to value but few know how to support. Season 1 introduced the show’s central engine: a struggling newspaper, a publisher determined to revive it, and a group of unlikely contributors who turn the newsroom into a chaotic, funny, and surprisingly meaningful workplace.
The heart of the series is Ned Sampson, played by Domhnall Gleeson, an actor who has already shown his range across television with roles such as Ash Starmer in Black Mirror and Sam Fortner in The Patient. Gleeson brings exactly the kind of energy this premise needs: earnest without being bland, awkward without becoming a caricature, and capable of making a character’s idealism feel both admirable and slightly doomed. Ned’s mission to save the paper gives the comedy a strong emotional spine. He is not just trying to run a business; he is trying to prove that local stories, local accountability, and small-town voices still matter.
