- Original release
- Previous episode S03E05 - Freitag gegen Mitternacht
- Number S03E06
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Director
Heinz Seibert
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Writer
Rudolf Böhm
- Country XG
- Original language German
- Genres Crime, Drama, Mystery, Thriller
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External links
TheTVDB page
IMDB page
TheMovieDB page -
Last update
21 février 2026 - 06:25
on 11 databases
Vorbestraft
Walter Bartsch wird nach zweijähriger Haft aus dem Strafvollzug entlassen und will ein neues Leben beginnen. Bei der Verlobungsfeier seines alten Freundes Kurt Posener lernt er das Mädchen Anne kennen und verliebt sich in sie. Auch Anne empfindet Zuneigung zu Walter. Durch private und dienstliche Verpflichtungen kann sie sich aber nicht im gewünschten Maße mit ihm treffen. Walter fühlt sich zurückgestoßen und lässt sich auf einen Einbruch in ein Warenhaus mit Posener ein. Zuvor hatte Posener über seine Verlobte Susi, die mit Anne befreundet ist, genaue Kenntnis über die örtlichen Gegebenheiten erhalten, denn Anne arbeitet als Sekretärin beim Chef des Warenhauses. Bei dem nächtlichen Einbruch kommt es aber zu einem Zwischenfall.
If there’s one show that has stood the test of time in the world of crime dramas, it’s undoubtedly Tatort. First airing on November 29, 1970, this German-language police procedural television series has become a staple in households across Germany, Austria, and Switzerland. Broadcasted on major channels like ARD, ORF 2, and SF1, Tatort has produced over 1200 episodes across its remarkable 55 seasons. Each episode is distinctively crafted by various regional broadcasters, showcasing unique settings and local customs while maintaining a thread of gripping crime-solving narratives.
One of the most compelling aspects of Tatort is its commitment to character depth and development. The format allows for feature-length episodes averaging around 90 minutes each—far longer than typical weekly dramas—which affords viewers an immersive experience into the lives of its protagonists. From iconic inspectors like Schimanski to contemporary favorites navigating complex cases in bustling cities or quiet towns, viewers get a multi-dimensional view of not just the crimes but the cultures surrounding them. This emphasis on character makes it easy for audiences to connect with their stories and invest emotionally in their fates.
The collaborative production model behind Tatort is another reason for its phenomenal longevity and success. Each participating regional TV station contributes uniquely styled episodes featuring different teams of inspectors solving crimes in their own cities—from scenic Vienna to vibrant Berlin—showcasing local architecture and dialects as integral parts of the plotline. This approach not only enriches each episode but also fosters a sense of community among viewers who may recognize their own locales being portrayed onscreen.
