- Original release
- Previous episode S21E08 - Leichte Beute
- Number S21E09
- Country Germany
- Original language German
- Genres Crime, Drama
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External links
TheTVDB page
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Last update
2 février 2026 - 18:13
on 11 databases
Video : Die Eisprinzessin
Sie war der aufsteigende Stern am Eiskunstlaufhimmel - jetzt ist Anna Jornitz tot. Ihre Mutter Beate ist fassungslos: Wer ist fähig, ein 16-jähriges Mädchen zu erschlagen und in die Isar zu werfen? Hauptkommissar Schickl und seinen Kollegen ist schnell klar, dass es sich nicht um die Tat eines Unbekannten handeln kann, denn in Annas Umfeld gab es eine Menge Leute, die ihr den Tod gewünscht haben: Trainer David Becker wurde von ihr erpresst, Stefanie Kamp war neidisch auf Annas Erfolg, ihr Freund Benni Petersen konnte es nicht mehr ertragen, 'totgeschwiegen' zu werden, und ihr Verehrer Thomas Pieper war sauer, weil Anna einen anderen liebte. Erst eine zweite Leiche bringt Ordnung in das Gespinst aus Neid, Intrigen und verlorenen Träumen - und löst einen Wettlauf gegen die Zeit aus...
If there’s one show that has stood the test of time in the world of crime dramas, it’s undoubtedly Tatort. First airing on November 29, 1970, this German-language police procedural television series has become a staple in households across Germany, Austria, and Switzerland. Broadcasted on major channels like ARD, ORF 2, and SF1, Tatort has produced over 1200 episodes across its remarkable 55 seasons. Each episode is distinctively crafted by various regional broadcasters, showcasing unique settings and local customs while maintaining a thread of gripping crime-solving narratives.
One of the most compelling aspects of Tatort is its commitment to character depth and development. The format allows for feature-length episodes averaging around 90 minutes each—far longer than typical weekly dramas—which affords viewers an immersive experience into the lives of its protagonists. From iconic inspectors like Schimanski to contemporary favorites navigating complex cases in bustling cities or quiet towns, viewers get a multi-dimensional view of not just the crimes but the cultures surrounding them. This emphasis on character makes it easy for audiences to connect with their stories and invest emotionally in their fates.
The collaborative production model behind Tatort is another reason for its phenomenal longevity and success. Each participating regional TV station contributes uniquely styled episodes featuring different teams of inspectors solving crimes in their own cities—from scenic Vienna to vibrant Berlin—showcasing local architecture and dialects as integral parts of the plotline. This approach not only enriches each episode but also fosters a sense of community among viewers who may recognize their own locales being portrayed onscreen.
