- Original release
- Previous episode S34E09 - Angst
- Number S34E10
- Country Germany
- Original language German
- Genres Crime, Drama
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External links
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Last update
26 décembre 2025 - 17:13
on 11 databases
Brisante Dateien
Michael Schaller, IT-Consultant beim Bankhaus Lenbach, wird ermordet in seiner Wohnung gefunden - ein Fall für die SOKO 5113. Ein erster Verdacht gegen Tobias Hiesl (Stefan Lehnen), den neuen Freund von Schallers Noch-Ehefrau Romy bestätigt sich zunächst nicht. Auch in der Bank finden Hauptkommissar Bauer und sein Team weder beim Vorstandsvorsitzenden Urs Andermatt noch beim IT-Chef Roland Funke einen Anhaltspunkt. Als der Wirtschaftsdetektiv Klaus Hartmann das Parkett betritt und sich zeigt, dass Schaller bei Weitem nicht der Mann gewesen ist, für den ihn alle gehalten haben, wendet sich das Blatt, und die SOKO 5113 sieht sich zu einem gewagten Katzund-Maus-Spiel gezwungen. Und das ausgerechnet in einer Phase, in der Katharina von merkwürdigen Übelkeitsattacken geplagt wird ...
If there’s one show that has stood the test of time in the world of crime dramas, it’s undoubtedly Tatort. First airing on November 29, 1970, this German-language police procedural television series has become a staple in households across Germany, Austria, and Switzerland. Broadcasted on major channels like ARD, ORF 2, and SF1, Tatort has produced over 1200 episodes across its remarkable 55 seasons. Each episode is distinctively crafted by various regional broadcasters, showcasing unique settings and local customs while maintaining a thread of gripping crime-solving narratives.
One of the most compelling aspects of Tatort is its commitment to character depth and development. The format allows for feature-length episodes averaging around 90 minutes each—far longer than typical weekly dramas—which affords viewers an immersive experience into the lives of its protagonists. From iconic inspectors like Schimanski to contemporary favorites navigating complex cases in bustling cities or quiet towns, viewers get a multi-dimensional view of not just the crimes but the cultures surrounding them. This emphasis on character makes it easy for audiences to connect with their stories and invest emotionally in their fates.
The collaborative production model behind Tatort is another reason for its phenomenal longevity and success. Each participating regional TV station contributes uniquely styled episodes featuring different teams of inspectors solving crimes in their own cities—from scenic Vienna to vibrant Berlin—showcasing local architecture and dialects as integral parts of the plotline. This approach not only enriches each episode but also fosters a sense of community among viewers who may recognize their own locales being portrayed onscreen.
