- Original release
- Previous episode S43E03 - Puppen von Pasing
- Number S43E04
- Country Germany
- Original language German
- Genres Crime, Drama
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External links
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Last update
26 décembre 2025 - 17:13
on 11 databases
Ein Mordszelt
Das Oktoberfest ist in vollem Gang, als der 31-jährige Blogger Michael Stadler, der augenscheinlich dort zu Gast war, tot am Zentralen Omnibusbahnhof gefunden wird.
Die Tat ist in voller Länge auf den Überwachungsaufnahmen des ZOB zu sehen – eine ungewöhnliche Ausgangslage für die Kommissare auf der Suche nach dem Täter. Von Stadlers Kollegin Laura Funkel erfahren sie, dass Michael Stadlers letzte Story einen Skandal auslöste.
Es ging darin um die scheinbar unsaubere Vergabe eines Wiesnzelts. Der ehemalige Wiesnwirt Johann Beierlein, der durch Stadlers Enthüllungen sein Zelt verlor, ist auf einer mysteriösen Mailbox-Nachricht zu hören. Die Kommissare haben bald einen verwirrt wirkenden Hauptverdächtigen, den 30-jährigen Xaver Spieß, mit dessen Hirschfänger Stadler erstochen wurde. Aber auch die Wiesnchefin Johanna Pfeiffer und der Wiesnwirt Nico Esswein geraten in den Fokus der Ermittler. (Text: ZDF)
If there’s one show that has stood the test of time in the world of crime dramas, it’s undoubtedly Tatort. First airing on November 29, 1970, this German-language police procedural television series has become a staple in households across Germany, Austria, and Switzerland. Broadcasted on major channels like ARD, ORF 2, and SF1, Tatort has produced over 1200 episodes across its remarkable 55 seasons. Each episode is distinctively crafted by various regional broadcasters, showcasing unique settings and local customs while maintaining a thread of gripping crime-solving narratives.
One of the most compelling aspects of Tatort is its commitment to character depth and development. The format allows for feature-length episodes averaging around 90 minutes each—far longer than typical weekly dramas—which affords viewers an immersive experience into the lives of its protagonists. From iconic inspectors like Schimanski to contemporary favorites navigating complex cases in bustling cities or quiet towns, viewers get a multi-dimensional view of not just the crimes but the cultures surrounding them. This emphasis on character makes it easy for audiences to connect with their stories and invest emotionally in their fates.
The collaborative production model behind Tatort is another reason for its phenomenal longevity and success. Each participating regional TV station contributes uniquely styled episodes featuring different teams of inspectors solving crimes in their own cities—from scenic Vienna to vibrant Berlin—showcasing local architecture and dialects as integral parts of the plotline. This approach not only enriches each episode but also fosters a sense of community among viewers who may recognize their own locales being portrayed onscreen.
