Ein Toter in einem Geländewagen gibt den Kommissaren Rätsel auf, und unverhoffter Besuch vom Patensohn aus Italien gibt Theo Anlass zur Freude bis Luca seltsame Verhaltensweisen zeigt.
Theo will zunächst nicht wahrhaben, was bald nicht mehr zu leugnen ist: Luca wird zum Hauptverdächtigen im aktuellen Fall. Der professionelle Polizist und der liebende Onkel in Theo liegen im Konflikt, und das gerade jetzt, da Theo seinen Beruf an den Nagel hängen will.
Er will an der Amalfiküste das Café seiner Mutter übernehmen. Aber zunächst muss er noch einmal ermitteln und beweisen, dass sein Patensohn Luca kein Mörder ist. Die Spuren führen zu Maximilian, einem Söhnchen aus gutem Hause, das illegale Autorennen veranstaltet, zu Lutz Maier, einem liebenswerten Kfz-Mechaniker und Ziehvater des Toten, sowie zu dem jungen Malermeister Ralf Maier. Aber auch die Freundin des Opfers, Annabelle Winkler, verstrickt sich in Widersprüche. Sein letzter Fall fordert noch einmal größtmöglichen Einsatz von Theo. (Text: ZDF)
If there’s one show that has stood the test of time in the world of crime dramas, it’s undoubtedly Tatort. First airing on November 29, 1970, this German-language police procedural television series has become a staple in households across Germany, Austria, and Switzerland. Broadcasted on major channels like ARD, ORF 2, and SF1, Tatort has produced over 1200 episodes across its remarkable 55 seasons. Each episode is distinctively crafted by various regional broadcasters, showcasing unique settings and local customs while maintaining a thread of gripping crime-solving narratives.
One of the most compelling aspects of Tatort is its commitment to character depth and development. The format allows for feature-length episodes averaging around 90 minutes each—far longer than typical weekly dramas—which affords viewers an immersive experience into the lives of its protagonists. From iconic inspectors like Schimanski to contemporary favorites navigating complex cases in bustling cities or quiet towns, viewers get a multi-dimensional view of not just the crimes but the cultures surrounding them. This emphasis on character makes it easy for audiences to connect with their stories and invest emotionally in their fates.
The collaborative production model behind Tatort is another reason for its phenomenal longevity and success. Each participating regional TV station contributes uniquely styled episodes featuring different teams of inspectors solving crimes in their own cities—from scenic Vienna to vibrant Berlin—showcasing local architecture and dialects as integral parts of the plotline. This approach not only enriches each episode but also fosters a sense of community among viewers who may recognize their own locales being portrayed onscreen.