- Original release
- Previous episode S44E16 - Der Mann ohne Gewissen
- Number S44E17
- Country Germany
- Original language German
- Genres Crime, Drama
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External links
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Last update
26 décembre 2025 - 17:13
on 11 databases
Der amerikanische Freund
Der Deutsch-Amerikaner Brendan Miller wird tot aufgefunden. Schnell ermittelt die SOKO, dass seine Ex-Freundin Tessa Schön ihn wegen Kindesentzugs angezeigt hatte.
Mia, die fünfjährige Tochter der beiden, ist aus den Ferien bei ihrem Vater in den USA nicht zur Mutter nach München zurückgekehrt. Aber auch gegen Sophia und Jan Ott wird ermittelt. Sie haben Miller für seine zur Vermietung stehende Wohnung Schmiergeld gezahlt.
Wo ist dieses Schmiergeld? Was ist damit geschehen? Es handelt sich immerhin um 20 000 Euro, die sich nicht in Luft aufgelöst haben können. Sollte womöglich ein simpler Raub durch den Mord an Miller vertuscht werden?
Schließlich gerät auch der Hausmeister von Millers Wohnung, Anton Hofer, in Verdacht, der wiederum den Vater der Ex-Freundin kennt. Die Kommissare stehen vor einem undurchsichtigen Gestrüpp. (Text: ZDF)
If there’s one show that has stood the test of time in the world of crime dramas, it’s undoubtedly Tatort. First airing on November 29, 1970, this German-language police procedural television series has become a staple in households across Germany, Austria, and Switzerland. Broadcasted on major channels like ARD, ORF 2, and SF1, Tatort has produced over 1200 episodes across its remarkable 55 seasons. Each episode is distinctively crafted by various regional broadcasters, showcasing unique settings and local customs while maintaining a thread of gripping crime-solving narratives.
One of the most compelling aspects of Tatort is its commitment to character depth and development. The format allows for feature-length episodes averaging around 90 minutes each—far longer than typical weekly dramas—which affords viewers an immersive experience into the lives of its protagonists. From iconic inspectors like Schimanski to contemporary favorites navigating complex cases in bustling cities or quiet towns, viewers get a multi-dimensional view of not just the crimes but the cultures surrounding them. This emphasis on character makes it easy for audiences to connect with their stories and invest emotionally in their fates.
The collaborative production model behind Tatort is another reason for its phenomenal longevity and success. Each participating regional TV station contributes uniquely styled episodes featuring different teams of inspectors solving crimes in their own cities—from scenic Vienna to vibrant Berlin—showcasing local architecture and dialects as integral parts of the plotline. This approach not only enriches each episode but also fosters a sense of community among viewers who may recognize their own locales being portrayed onscreen.
