Die Leiche eines persischstämmigen Ingenieurs wird vor einer niedersächsischen Erdgas-Förderanlage gefunden. Erste Verdachtsmomente deuten auf einen fremdenfeindlichen Hintergrund. Bei ihren Ermittlungen stoßen Kommissar Thorsten Falke (Wotan Wilke Möhring) und seine Kollegin Julia Grosz (Franziska Weisz) auf eine zutiefst gespaltene Dorfgemeinschaft. Die einen sehen in der Gasgewinnung mögliche Jobs, andere fürchten die Vergiftung von Mensch und Tier. Einige der Bewohner agieren wie seelenlose Wesen und zeigen ein zombiehaftes Verhalten. Hat sich ihre Psyche durch die Umweltverschmutzung verändert?
If you’re a fan of crime dramas that delve into the intricate workings of police investigations, then "SOKO 5113" is a series you cannot afford to miss. Originating from Germany, this captivating show has been on air since January 2, 1978, and remains one of the longest-running series in its genre. With an impressive run of 46 seasons and over 683 episodes, "SOKO 5113" stands as a monumental testament to well-crafted storytelling and character development.
Set against the backdrop of Munich’s bustling cityscape, SOKO 5113 presents viewers with a realistic portrayal of criminal investigations devoid of exaggerated portrayals often seen in similar shows. The series title refers to the extension telephone number used by the head of SOKO, which adds an authentic touch to its depiction of police work. Inspired by Dieter Schenk’s real-life experiences as a crime director, who later penned these recollections into a novel titled "Der Durchläufer", this show brings genuine grit to its narratives.
Season 1 kicks off with an enthralling plot where KHK Karl Göttmann (played by Werner Kreindl) leads his team through a maze of thefts involving high-end cars and emerging drug market activities. The pilot episode introduces viewers to a complex web where crimes intertwine, leading Göttmann and his team onto paths lined with danger and deception. Each episode builds upon this foundation, unraveling mysteries layer by layer while keeping audiences at the edge of their seats.