What's Jazz Doing In A Knight Of The Seven Kingdoms?

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SOURCES

Genette, Gérard. Narrative Discourse: An Essay in Method. Translated by Jane E. Lewin, Foreword by Jonathan Culler, Cornell University Press, 1980.

Genette, Gérard. Paratexts: Thresholds of Interpretation. Translated by Jane E. Lewin, Cambridge University Press, 1997.

Cook, James, Alexander Kolassa, and Adam Whittaker. “Music in Fantasy Pasts: Neomedievalism and Game of Thrones.” Representations of Early Music on Stage and Screen: Recomposing the Past, edited by James Cook, Alexander Kolassa, and Adam Whittaker, Routledge, 2018, pp. 13–42.

Re, Valentina. “The Monster at the End of This Book: Metalepsis, Fandom, and World Making in Contemporary TV Series.” World Building, edited by Marta Boni, Amsterdam University Press, 2017, pp. 321–42. JSTOR, https://doi.org/10.2307/j.ctt1zkjz0m.21

Hahn, James. “Game of Thrones: George R. R. Martin Isn’t Finished — Author Talks Thrones, Winds, Dragon and Knight.” The Hollywood Reporter, 15 Jan. 2026,
https://www.hollywoodreporter.com/tv/tv-features/george-rr-martin-interview-thrones-winds-dragon-knight-1236473519/

Hein, Daniel. “George R.R. Martin Confronted About The Winds of Winter at Worldcon 2025.” ScreenRant, 17 Aug. 2025, https://screenrant.com/george-rr-martin-confronted-winds-winter-worldcon-2025/

Landais, Clotilde. “The Narrative Metalepsis as an Instrument of the Uncanny in Contemporary Fantastic Fiction.” Journal of the Fantastic in the Arts, vol. 28, no. 2 (99), 2017, pp. 236–52. JSTOR, https://www.jstor.org/stable/26499449

MUSIC (via Epidemic Sound)

Nagisa - Hara Noda
The Fairy Dance - Bonnie Grace
Final Clarity - Stefan Ekstrom
To the End of the Line STEMS MELODY - Rachel Sandy

Próximo episódio

S01E281 - How Shakespeare Manipulates An Audience