Country United States
Original language English
Genres Comedy, Animation
Runtime 24 minutes
Total runtime 322 hours 24 minutes
Status Continuing
Network FOX
Showrunner Matt Groening
IMDb rating 8.6/10 (474K votes)
External links TheTVDB page
IMDB page
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Last update 6 novembre 2026 - 11:15
on 11 databases

The Simpsons

1989 68K members 38 seasons806 episodes

Homer and Marge live in Springfield with their three children, Bart, Lisa and Maggie. She is a stay-at-home mom and he works at the town's nuclear power plant. Bart is 10 and out of control, while Lisa, 8, is the gifted one in the family. Maggie, still a baby, doesn't have much of a personality.

As Homer gets into some pretty unlikely situations trying to save the town, invent a new thing, change jobs or just take care of his family, he takes the townspeople with him like Moe, the loyal friend who owns the Springfield bar, Barney, the bar's pillar, Lenny and Carl, his colleagues from the power plant, Abraham, his grandfather who is losing his mind, Patty and Selma, Marge's twin sisters, Ned Flanders, his annoying neighbor, Apu, the owner of the town's supermarket, Wiggum, the incompetent police chief.

Many stars are going to rub shoulders with the Simpsons like Michael Jackson, the Rolling Stones, Lady Gaga or Elizabeth 2!

Life is simple in Springfield except when you are called the Simpsons. Marge and Lisa try to reason with the men of the family and sometimes, misadventures are never far away for each inhabitant of Springfield.

BetaSeries' opinion

American Dad! Season 21 Finale Debrief: Why the Smiths’ Latest Chaos Still Proves the Show Has Gas in the Tank

Spoilers ahead for the Season 21 finale of American Dad!, which aired on September 13, 2026. If you watched the finale, you already know that the episode did not try to reinvent the Smith family formula — and that is exactly why it worked. After 21 seasons and 404 episodes, American Dad! remains one of television’s most durable animated comedies because it understands its own engine: Stan Smith’s bottomless confidence, Francine’s underappreciated weirdness, Steve’s vulnerable nerd energy, Hayley’s resistance to family madness, Roger’s infinite capacity for persona-driven chaos, and Klaus’ tragicomic hunger to be taken seriously. The finale leaned directly into that engine with Stan convincing himself he was made for reality TV while Klaus, in peak Klaus fashion, found a way to make his own existence even more pitiful and more hilarious by getting himself “a Klaus.”

What made the Season 21 finale satisfying was not just the absurdity of Stan chasing reality-show glory. American Dad! has always been at its best when Stan’s ego becomes a laboratory for American fantasies: masculinity, fame, patriotism, success, dominance, and the belief that every room is waiting for him to become its main character. Reality TV is a perfect target for him because it rewards self-mythology, humiliation, conflict, and emotional overstatement — all things Stan already produces naturally. The finale understood that Stan does not need to change to become a reality-TV contestant; he already lives like someone waiting for a producer to zoom in on his reaction shot. That made the episode feel less like a parody pasted onto the show and more like a premise that had been sitting inside Stan all along.

The emotional beat underneath the comedy came from the familiar but still effective question: does Stan actually want connection, or does he just want an audience? Season 21 repeatedly returned to that tension. In the pool-party premiere, the Smiths’ domestic life was interrupted by social anxiety, awkward reunions, and a dead rat in the pool — a wonderfully American Dad! symbol for the rot hiding inside cheerful suburban performance. In the flume-ride episode, Stan’s inability to appreciate Francine’s niche interest exposed how often he treats love as something to manage rather than something to experience. In the illness episode, his determination to “power through” became a catastrophic extension of his refusal to admit weakness. By the finale, the reality-TV plot felt like the season’s logical endpoint: Stan trying to convert his flaws into entertainment before realizing, in the show’s typically crooked way, that being watched is not the same as being understood.

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