The Film That Attacks You

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SOURCES

Thiher, Allen. “Surrealism’s Enduring Bite: ‘Un Chien Andalou.’” Literature/Film Quarterly, vol. 5, no. 1, 1977, pp. 38–49. JSTOR, http://www.jstor.org/stable/43796018

Polizzotti, Mark. Why Surrealism Matters. Yale University Press, 2016.

Short, Robert. The Age of Gold: Surrealist Cinema. Solar Books, 2008.

SHAROT, STEPHEN. “DREAMS IN FILMS AND FILMS AS DREAMS: SURREALISM AND POPULAR AMERICAN CINEMA.” Revue Canadienne d’Études Cinématographiques / Canadian Journal of Film Studies, vol. 24, no. 1, 2015, pp. 66–89. JSTOR, http://www.jstor.org/stable/43673608

FLITTERMAN-LEWIS, SANDY. “Surrealist Cinema: Politics, History, and the Language of Dreams.” American Imago, vol. 50, no. 4, 1993, pp. 441–56. JSTOR, http://www.jstor.org/stable/26303950

Yang, Candace. “Looking at the Surreal with Eyes Slit by Terror: Luis Buñuel’s ‘Un Chien Andalou’ and September 11.” Philosophy of Music Education Review, vol. 10, no. 2, 2002, pp. 132–35. JSTOR, http://www.jstor.org/stable/40327188

MUSIC (Via Epidemic Sound)

Storm is Brewing - Eva Hummingbird
One on One in Madrid - Trabant 33
77 Cycles - Lennon Hutton
Means Nothing Anyway - Eva Hummingbird