On a day off from work, Henry decides to spend some quality time with his father. Ed, however, is only interested in picking up a Steve Garvey baseball that he ordered from Authentic Carl’s sports memorabilia shop. When Henry is unable to convince him to do anything else, he decides to tag along with his father.
By the time the Goodsons reach the store, however, Authentic Carl has already sold the ball. Henry helps Ed find out who bought it, and they both stake out the ball owner’s house, waiting for him to get home. While Ed doesn’t get his ball, he does learn that father/son bonding can be an enjoyable experience.
Vince and Bonnie, tired of Ed interrupting them in their new attic bedroom, decide to move into Ed’s garage for more privacy. They have also decided to adopt a positive attitude at all times in the hopes that this will help them conceive a child. But as much as they want to maintain their new-found optimism, the garage’s many horrible qualities test their patience.
Tal vez lo conozcas por Old Christine, Shit My Dad says o más recientemente, por Trial & Error y Angie Tribeca: hoy entrevistamos a Jeff Astrof, guinonista y cocreador de Shining Vale, una nueva comedia de Lionsgate+ que no es como las demás. Acostumbrado a las sitcom, Jeff Astrof se vio atraído al instante por idea de ayudar a crear una comedia con toques terroríficos. Nos habla de su colaboración con Sharon Horgan y del placer que le supuso renovarse jugando con ambos géneros.
¡Aquí os dejamos la charla que tuvimos con él! Desafortunadamente, solo está disponible en inglés.
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