How David Lynch Saw the Bright Side

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David Lynch's body of work is unbelievably dark. But within that darkness is an optimism like no other.

Thumbnail by Hannah Raine

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Sources:
Richard Brody, “How David Lynch Became an Icon of Cinema,” The New Yorker (2025).

David Chute, “Out to Lynch,” Film Comment, Vol. 22, No. 5 (1986).

Manohla Dargis, “In His Dark, Disturbing Visions, David Lynch Showed Us Who We Are,” The New York Times (2025).

Jeff Johnson, Pervert in the Pulpit: Morality in the Works of David Lynch, McFarland, Incorporated (2015).

David Lynch, Catching the Big Fish: Meditation, Consciousness, and Creativity, TarcherPerigee (2007).

David Lynch and Kristine McKenna, Room To Dream, Canongate Books (2018).

J.H Matthews, “Surrealism and the Cinema,” Criticism, Vol. 4, No. 2 (Spring 1962).

Callum Marsh, “Twin Peaks: Fire Walk With Me Is David Lynch’s Masterpiece,” Village Voice (2013).

Kyle McLachlan, “Kyle MacLachlan: How David Lynch Invented Me,” The New York Times (2025).

Stephanie Zacharek, “David Lynch's latest tour de force,” Salon (2001).

Slavoj Zizek, “David Lynch is Dead, but His Ethics is More Alive Than Ever,” Substack (2025).

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