The Age Of Innocence: Adaptation Done Right

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SOURCES

Sammarcelli, Françoise. “Of Art, Codes, and Transcoding: Revisiting Intersemiotic Conversations in The Age of Innocence by Edith Wharton (1920) and Martin Scorsese (1993).” Edith Wharton Review, vol. 36, no. 2, 2021, pp. 125–47. JSTOR, https://doi.org/10.5325/editwharrevi.36.2.0125

Stern, Lesley. The Scorsese Connection. United Kingdom, Indiana University Press, 1995.

Cahir, Linda Costanza. “The Perils of Politeness in a New Age: Edith Wharton, Martin Scorsese and ‘The Age of Innocence.’” Edith Wharton Review, vol. 10, no. 2, 1993, pp. 12–19. JSTOR, http://www.jstor.org/stable/43512826

Kottaras, Ekaterini. “Metaphors of Deception: Incomplete Speech Acts in Edith Wharton’s ‘The Age of Innocence.’” Edith Wharton Review, vol. 26, no. 1, 2010, pp. 10–17. JSTOR, http://www.jstor.org/stable/43513028

Jessee, Margaret Jay. “Trying It On: Narration and Masking in Edith Wharton’s The Age of Innocence.” Journal of Modern Literature, vol. 36, no. 1, 2012, pp. 37–52. JSTOR, https://doi.org/10.2979/jmodelite.36.1.37

Orlando, Emily J. “Rereading Wharton’s ‘Poor Archer’: A Mr. ‘Might-Have-Been’ in ‘The Age of Innocence.’” American Literary Realism, 1870-1910, vol. 30, no. 2, 1998, pp. 56–76. JSTOR, http://www.jstor.org/stable/27746727

Moseley, Edwin M. “The Age of Innocence: Edith Wharton’s Weak Faust.” College English, vol. 21, no. 3, 1959, pp. 156–60. JSTOR, https://doi.org/10.2307/372840

Langford, Jeffrey. Opera, a History of the Impossible Genre. United Kingdom, Taylor & Francis.

Between Opera and Cinema. United Kingdom, Taylor & Francis, 2012.

Peucker, Brigitte. “Rival Arts? Filming ‘The Age of Innocence.’” Edith Wharton Review, vol. 13, no. 1, 1996, pp. 19–22. JSTOR, http://www.jstor.org/stable/43516056

Vidal, Belén. “Present in the Past: The House.” Figuring the Past: Period Film and the Mannerist Aesthetic, Amsterdam University Press, 2012, pp. 65–110. JSTOR, http://www.jstor.org/stable/j.ctt46mt18.6

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